Each course on Semester at Sea has to conduct one field work
experience, called a field lab. For my only class, the Academic Writing Course,
the field lab traveled to three locations in STP: the Peterhof Palace, the Church on
Spilled Blood, and the House of Books (aka the Singer House). These were chosen
to allow student engagement with the themes of the course so far: memory and
history. We had discussed the nuances of memory (collective, narrative,
material, personal) and its association with the ongoing memory wars in Russia
(the youth, politicians, historians are all trying to rewrite Russian’s
collective memory). Students read a number of articles and, during the field
lab, were tasked with finding a sign, three quotes, artwork, 5 photographs, and
a food item that all represented various aspects of memory to them (you can
read more about field labs in general on Milepost 3).
Our guide, a young Russian woman named Katya, gave us a
short history of the Peterhof on the hour-long journey to the palace. Leaving
the city, we passed by lots of residential areas that were decidedly less
extravagant than the monuments we had seen in the city. Students began to ask Katya
some questions about her Russian experiences and we learned that most Russians
live outside of the city in very sterile dorm-like (one student said
prison-like) apartment buildings. She stated that younger Russians were very
invested in looking forward instead of recalling the tumultuous past of Russia
and thus did not discuss the Soviet Union, communism or social repression much
at all. We were all very thankful for her candidness and proceeded to bombard
her with many more questions. (I was pleasantly surprised to see students so
engaged with the material and with the guide!)
Our first stop was the magnificent Peterhof Palace and
Gardens, known as the Russian Versailles. The intricate yellow and gold design
resembled the decorative style of the Hermitage. As the summer home of Peter
the Great (and later his successors, such as Catherine the Great), it The interior was
immeasurably large. The rooms inside told stories of card playing, formal
dinner parties and ballrooms filled with well-dressed patrons. The Russian royals
lived well, to say the least (sorry, no photos were allowed on the inside). This was a summer house? If the inside
was opulent, the outside was pure beauty. The lower gardens of the palace were
filled with water fountains, manicured flowerbeds, rows of tall trees, metal
sculptures and the lush greenery that extended to the Bay of Finland. The lower
gardens were the size of a small national park. And this belonged to ONE person?
We had lunch at a nearby Russian restaurant and then drove
back into St. Petersburg for the rest of the lab. Students repeatedly told me
that they were very glad to have gone to the Peterhof because the housing of
Russian history and memory was very profound there. Catherine the Great had
really uplifted the décor of the place on the inside, investing in expensive
artwork (and lots of self-portraits!). On the ride back, I asked students to
consider the nuances of memory in relation to the site they had seen. How did the material elements of the palace
extend, negate, or complicate the collective memory of Russia? Why did Peter the Great build such a palace
to commemorate himself?
Next, we went into the Church on Spilled Blood, by far my
favorite monument in STP! The outside looks a lot like an ice cream cone with
its colorful curved roofs and cone-like shape. This pinnacle of Russian-style
architecture was commissioned by Alexander III to commemorate the passing of
his father, who was assassinated on the exact location of the church. While it
no longer functions as a church, there is a shrine inside dedicated to
Alexander II. And speaking of the inside, it was beyond words (mindless!). I
have never seen so many mouths open in awe simultaneously in my life. All of my
students were dumbfounded for a good 15 minutes before they could even pull out
their cameras to take a photo. Every inch of the interior walls of the Church
are covered with ½ inch mosaic tiles depicting Christian religious images.
Unreal. As a class, we discussed the rationale behind creating such an
extravagant monument to commemorate death. Students debated the use of the word
“church” in its title and noted that Stalin was “loony” for wanting to destroy
it (luckily he did not succeed). Why were
these materials used to house the legacy of Alexander II?
Our last stop was along Nevsky Prospekt at the famous Singer
House, which once belonged to the Singer sewing company. Now, it stands as an
extensive bookstore and students perused the aisles in search of quotes on
Russian history and memory. Towards the end, we meandered over to the larger
than life statue of Gogol and I let students run around the area to gather the
rest of their scavenger hunt list (artwork, quotes, etc). Some students
interviewed passersby about their understanding of Russian memory. Others
hopped into restaurants and gathered menus or small samplings of traditional
Russian food. Frankly, I was really thrilled with the students for remaining
interested and active all of the activities of the day. More than the
curriculum, I think being outside and on a fieldwork program really made the
difference. If I can, I will incorporate such a thing in my curriculum at home
– it seems a necessity really to have them practice what we teach. In short, it
felt like my first field lab was a success. Now, students have to write an
analytical paper on Russian monuments and memory.
Verdict: Very Good Field Lab. A huge shout out to the Field Office Team who made it all happen and to our guide, Katya!
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